By William Jelani Cobb
In the three weeks since the New York Times broke the story of a child’s rape there, the events in Cleveland, Texas, have morphed into a category-five media storm. The Times  piece, which echoed and amplified currents of victim-blaming in the  town, generated a tide of criticism. Yet beneath the outrage was a  parable of modern media. Aside from the familiar and incendiary themes  it contained, the Times article seemed an object lesson in what  happens when cash-strapped newspapers parachute a reporter into a  complex situation hoping for coverage on the cheap. In-depth coverage  requires resources and the time to do the deliberate, painstaking  gathering of facts that were in short supply in James McKinley’s  article. “The New York Times,” as one friend put it, “can no longer afford nuance.”
Add to that equation the fact that Twitter-orchestrated protests, web petitions and Facebook posts pushed the Times  to apologize (or at least come close to it), and our understanding of  the gang rape of an 11-year-old girl becomes yet another front in the  battles between old and new media. Even the way the assault became  public knowledge—digital images traded around on cellphones—seems to be  part of the narrative of modern technology and information.
Yet for all this modernity, the most troubling aspect of the ongoing  fallout from Cleveland is the way it resurrects themes of race, sexual  violence and provincialism long interred in American history. Some weeks  ago I taught students in my civil rights history class about the plague  of lynching, which claimed the lives of more than 3,000  African-Americans in the late nineteenth and early twentieth centuries.  Beyond the horror of the organized murder of black citizens, students  were most troubled by the recreational nature of it all: the images of  smiling white citizens, fathers and sons, upstanding Christians gathered  in fellowship around the smoldering ruin of a black body—all preserved  on postcards.
If you asked any of these people in the abstract if it is right to  hang a person, set him on fire and then riddle the body with bullets,  they would likely have called those actions illegal and sinful. But  there is an asterisk: unless that person was black; unless he had  demanded his wages, or been to slow to vacate a sidewalk when a white  person walked by, or been “unpopular” (these are all actual reasons  cited for lynching). These are actions of people who have been given a  moral escape clause, an asterisk in which upstanding Christians can sate  the demonic appetites of their collective id. Thus an act of  abomination becomes a moment worthy of commemorating with a photograph.
I thought about that discussion of lynching again as news spread that  the alleged perpetrators were so utterly secure in the righteousness of  their act that some of them snapped pictures or recorded footage on  their cell phones. We have, in 2011, reached a point when the public  display of charred human remains is no longer acceptable. But the  response of some of the citizens of Cleveland, Texas, to this horrific  assault has brought us face to face with a kind of gender Jim Crow. Here  the asterisk is not failure to conform to racial etiquette but the lax  adherence to an equally stringent gender code, one where “innocent” is a  relative concept and rape, like lynching, can be elevated nearly to the  level of civic responsibility.
The rape, which allegedly took place in a filthy trailer, has been  mitigated by qualifiers on the child’s innocence—and necessarily, the  guilt of the accused. It is, as an abstract idea, wrong to force a  preteen child to have sex with a dozen and a half men. Unless she was  “fast,” or dressed like a much older woman, or had slack maternal  supervision. Add enough exceptions and even the unconscionable begins to  look like a six-in-one-hand undertaking. It is the bitterest of ironies  that African-Americans in Cleveland have been the most vocal proponents  of this warped ideal. We of all people should understand how the moral  exception game works. (For those who believe the fact that the girl is  Hispanic has colored the responses to the crime, rest assured, “fast”  11-year-old black girls are seen as every bit as disposable within the  black community.)
Read the entire essay @ THE NATION 
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