Graffiti in u'r Body

Wednesday, October 29, 2008

Is the Right to Vote Fading?


Remember the email rumor of the late 90's that said the Voting Rights Act will end in 2007, thus ending black folks' right to vote. A far fetched notion, back then, until we hit the 21st Century and the election—and eight glorious years—of George W. Bush. Although this decade of a Republican White House hasn't proven as tumultuous for African Americans as the last 12 under Reagan and Bush I, voting in hotly-contested presidential elections has. First, there were reports in 2000 of voter suppression and "irregularities" in predominantly-black counties like Gadsden where 12.4 percent of ballots were invalidated because of faulty counting machines). Coincidentally, the recount battle over Florida is how the GOP, uh, stole the contest. Next came the 2004 presidential election—another Bush win—and numerous reports of voter suppression in Ohio. And a month before this year's election the New York Times reports that in at least six states voters are being kicked off the voting rolls or being blocked from registering "in ways that appear to violate federal law."

Now I'm not one to give in to conspiracy theories, but I am one to ring an alarm if a dangerous pattern seems to be developing. And a viable threat to the African-American vote and their voting rights, especially in swing states, is what I see coming, at least every four years. Yes, there's no Jim Crow South or poll tax or Grandfather clauses to overtly keep a certain segment of African-Americans from the polls, but there are new, covert techniques to institute an old result (black voter disenfranchisement). This is what our so-called civil rights leadership need to currently keep their eye on because, while there's a federal law which gives black folks' the right to vote, their are 21st Century means, used by unseen hands, of slowly and covertly taking that right away.

Tuesday, October 28, 2008

Sunday, October 26, 2008

Anarchist Graffiti Gets a Simulcast Deal

Long time, no posts. If you were miffed by the lack of entries, sorry. But, hey, life happens. And mucho has certainly changed since we last wrote. Barack was barely keeping up with McCain in the polls just two months ago. The country's economy drops like a 747 in massive turbulence. Foreclosures on the rise. Unemployment on the rise. McCain rallies damn near become Klan meetings (surprised no one yelled "Nigger" in between all those shouts of "Off with his head"). Barack wins two debates. The country sees Palin for who she REALLY is. Then, whoa, things change in Barack's favor. Ah well, the 4th still looms. But other things have changed as far as this blog goes, which is part of the reason I haven't posted in a while. Last month I cut a syndication deal with the upcoming site Blackpower.com to share content. So, until the site finally launches, I thought to put Anarchist Graffiti on a brief hiatus (though in blog time, months seem like years...LOL). In the meantime, I also used the time off to work on projects and try (operative word being "try") putting together another book project. Though that, as I learned from working on Scream can take a minute. As a result, I should be back on my blog game a lot tighter than I have recently.

Thursday, October 23, 2008

Tuesday, September 30, 2008

About the author

about the authorAnyone who frequently takes the train or subway, can only wonder about the signs and mysterious paintings that cover it. This was my case, so I started taking pictures of those pieces and try to understand the letter styles ...



Not easy for someone who don't know the graffiti culture, in fact i was more attracted by the Flemish Primitives than the art of the 21st century !



Finally, the blog "Graffiti Art On Trains" is born, and i hope it will participate to the graffiti movement, which is a beautiful artistic expression.



A question, comment, suggestion or news tip to pass along to me ? Contact me at over.bbo@gmail.com



Attribution-Noncommercial-No Derivative Works 2.0 Belgium. You are free to Share — to copy, distribute and transmit the work. Under the following conditions:

- Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work),- Noncommercial — You may not use this work for commercial purposes, - No Derivative Works — You may not alter, transform, or build upon this work.

Monday, September 29, 2008

Total respect, la génération Hip-Hop en Belgique de Alain Lapiower

Enquête sur le mouvement Hip Hop (en Belgique), tour à tour forme d'expression d'engagement social et politique, expression artistique très diversifiée, réseau souterrain de communication hors norme qui attire la foudre ... et la peur.



Lié souvent à l'adolescence, l'éclatement du lien social et familial, immigration, dérive urbaine, exclusion sociale et pauvreté, le Hip Hop s'implante souvent là où tout a échoué et son aspect provocateur masque la complexité, la richesse et le degré d'élaboration de ce phénomène culturel - touchant à la fois la musique (rap, break), la danse (break dance, de rue, contemporaine) et la peinture (tags sauvages, graffs monumentaux à l'aérosol, peintures en galerie).



Source : http://www.creativitemonumentale.be



Alain Lapiower est directeur de l'association Lézarts-urbains, seule structure francophone publique bruxelloise de promotion des cultures urbaines et hip hop en particulier.



Lapiower Alain, Total respect. La génération Hip-Hop en BelgiqueBruxelles, Ed. Fondation Jacques Gueux - Vie Ouvrière, 1997 - 288 pages



Infos : http://www.lezarts-urbains.be

Graffiti in u'r Body